Sunday, November 20, 2011

Review: A Very Harold and Kumar 3D Christmas (***)

Once again, Harold and Kumar bring it with more completely original ideas that made me laugh like a maniac several times throughout the movie. These guys once again prove that anything can be funnier if you add weed and nudity. And the fact that Kal Penn can still make these movies and maintain a respectable reputation at the White House is hilarious enough as it is.

As good as this one was, however, it didn't really live up to the expectations that were set by "Guantanamo Bay". Maybe it's because when I saw that one, it was in a packed theatre at 10 pm with a bunch of stoners laughing their guts out at every single joke. As unappealing as that sounds (I wasn't stoned during this movie), it's those types of things that make movies THAT much better if you ask me. Laughing my butt off with 30 or more people, including a few random 14 year olds who needed to pretend they were with me in order to get in (true story) just wasn't the same.

Something that really bugged me was how NPH was barely used in this one. Although his picture actually made it poster this time, he wasn't really in it as much as I hoped. Come to think of it, many of the old jokes from "White Castle" and "Guantanamo Bay" weren't used at all.

But even though it may not have lived up to the previous ones, Harold and Kumar prove once again that as far as epic stoner comedies go, they can't be beat. This one left me sore from laughing, and with an itch to see more (even though, once again, I wasn't stoned). I strongly suggest you get a big group to go to this one; the more laughs around you, the funnier this movie will be.

And of course, there's nothing like getting into the Christmas spirit a little early. Especially if you celebrate Christmas like these guys.

Review: In Time (***1/2)

I went into this one with the lowest expectations, and boy was I wrong. For one thing, before I saw his name in the opening credits, I had no idea this was an Andrew Niccol film, and since he is the stylish, stylized genius who gave us Gattaca, suddenly things were looking up. Then, wow, this cast! Sure, I knew about Justin Timberlake and Amanda Seyfried, but check out the rest of them: Olivia Wilde, Cillian Murphy, The Big Bang Theroy's Johnny Galecki, White Collar's Matt Bomer and genre-It Kid, Alex Pettyfer. I mean, come on! How can a movie be directed by Andrew Niccol and contain so much of the pretty and also be science fiction and not be completely, exactly, entirely the kind of movie that I would love, love, love?

Want to know why my expectations were low? I'd seen a snippet of the trailer -- which just looked to me like a bunch of Transformers-style running around the place -- and had read the basic film synopsis sent to me by Fox Studios' publicity department. So what I knew was this:

"Welcome to a world where time has become the ultimate currency. You stop aging at 25, but there's a catch: you're genetically-engineered to live only one more year, unless you can buy your way out of it. The rich "earn" decades at a time (remaining at age 25), becoming essentially immortal, while the rest beg, borrow or steal enough hours to make it through the day. When a man from the wrong side of the tracks is falsely accused of murder, he is forced to go on the run with a beautiful hostage. Living minute to minute, the duo's love becomes a powerful tool in their war against the system."

Why was I hesitant about this premise? Because, come on! How many sci-fi tropes do you want to hit? Predetermined age-limit to combat overpopulation: Logan's Run, among many others. Being able to effectively purchase immortality: Elizabeth Moon's Familias Regnant series, among many others. Falsely accused and on the run in a future, dystopian society: hello Minority Report, The Island and who knows what all else! But you know what? Much like he did in Gattaca, where he took the already well-worn path of the genetically-superior being not necessarily being superior and made it his own, writer/director Niccol brings a freshness, almost a whole new sensibility to these and the other trappings of classic sci-fi he offers up to us here. We also get action, suspense, romance, humor, social commentary, gorgeous visuals and, as I mentioned, bucket loads of the pretty -- I would pay good money to see Matt Bomer and Olivia Wilde in anything; impossibly beautiful doesn't even begin to cover that blessed pair -- and wow, what a thoroughly, unexpectedly fun, truly thought-provoking and utterly engaging time this movie was. I am still flabbergasted at just how much I dug this. I actually broke into spontaneous applause as the credits rolled. And I can't wait to see it again.

But the big question: how was JT? He was, I will have you know, excellent. I have long felt that there was something effortlessly engaging about his whole persona, whether in interviews or on SNL or in roles as diverse as beleaguered rookie cop in Edison, Napster hipster Sean Parker in The Social Network or squirrelly substitute Scott in Bad Teacher. He doesn't really seem to act: he just IS. Here, he is an unlikely action hero, but somehow, he pulls it off in grand style, looking simultaneously earnest, dangerous and adorable, and easily holding his own even alongside someone the likes of Murphy, whose hypnotic eyes can convey more in one blink of an eyelash than many a lesser actor can get across in an entire soliloquy.

All of the other performances are top notch, particularly from Wilde and Galecki -- who brings most of the funny in the film -- and hey, you know who else is in here! Vincent Kartheiser, AKA Connor from Angel And he's not bad at all, either. In fact, he and Pettyfer are our main bad guys, and both pull of criminal cool pretty damn well.

But sometimes it's not about the provenance of the ideas, it's what you do with them. And here, Niccol has done wonders. (As long as you suspend your disbelief and go with the fact that Timberlake, Seyfried and the rest are, biologically, only 25. Luckily, Hollywood's been conditioning us to do just that for years.)

Review: Paranormal Activity 3 (**1/2)

Horror movies tend to polarize opinions all the time... Far more than the majority of movie genres. What one person might find scary may be humorous to another person... So when I left the theater after a packed screening of this movie , the audience seemed pretty polarized in their opinions. It really is an example of a 'you either love it or hate it movie' (Although some people may not take either extreme which is absolutely fine) .I am one of the people who came out of the theater loving it.

Paranormal Activity 3 is a prequel that goes back to the year 1988. It follows the sisters Kristi and katie (from the last 2 movie's) 18 years before the events of Paranormal activity 1. Its an origin story that gives us a little more information but still leaves us feeling confused and uneasy. 

The new cameraman (Dennis) acts as a foster father to Kristi and Katie (The whereabouts of the real father remains open to debate) works as a wedding moviemaker. This gives a decent enough explanation as to why he seems to have top of the range filming equipment (for the era) . His character comes across as more caring and less irritating than Micah from PA1. The Mother of Kristi and Katie (Julie)came across as caring towards her children. The children who play Kristi and Katie actually come across and fairly decent actors.

The basic plot is like the last two movies. Strange occurrences are happening at the house they are staying in. Dennis out of curiosity decides to set up cameras around the house to hopefully find something unusual. 

The greatest improvement of this movie over the other movies is probably the pacing. I wont ruin anything (that hasn't been in the trailer at least) but the younger daughter kristi has a seemingly imaginary friend, called toby ,that she talks to at night. As the movie progresses things get out of head fairly quickly and this imaginary friends becomes something real and horrific.

The movie does a good job of taking us out of our comfort zones. We feel confused and that confusion adds a sense of helplessness. While we may know the formula of the last movies we know little about the monster. What we don't see ,but know is there, usually scares us the most. The camera footage itself comes across as grainy and lower in quality than before (Again the trailer is rather misleading) . It makes it feel more authentic. While you know its not real you cant help getting sucked in by the movies world. There are also some clever shots and effects (Scenes with the oscillating camera are ingenious at times) .

The main complaints that I have with the movie are that sometimes the actions of Daniel can be questionable and the ending left me feeling a little unsatisfied.

Review: Munger Road (*)

Munger Road is well meaning and starts off with a typical premise. Serial killer escapes and returns to his hometown. Kids head off to scary road for some thrills encounter something horribly wrong.

It's obvious that wealthy dad was the key to getting this made, because as a writer and director Nicholas Smith is bottom of the barrel.

There are so many holes and so much stupidity on the parts of the characters watching was a chore and a bore.

Characters walking through tunnels arriving at roughly the same time other characters who drove to the same place made the plot preposterous too.

Also, the resolution was flimsy and unjustified.

Bad, bad, bad.

Thursday, November 17, 2011

Jingle Jangle

I saw this picture in my inbox today from Crate and Barrel.  If it doesn't put you in the Christmas spirit, I don't know what will.  I'd like that outfit in my size, please.  (He can keep the cap.)

Wednesday, November 16, 2011

Behold the trailer for the Re-release of Titanic

Magnets!

I love a good magnet.  Here are some recent acquisitions.
Remember this artist?  Here's a picture of that doe.
The cool wooden magnet came from Peru, courtesy of my pals Lexie and James.
The three at the bottom all came from Parts & Labour in Austin.  I love them and think that they are hilarious.  They started as buttons, but Lexie manhandled them into submission and removed the pin part.  I stuck on magnets.